Way of the samurai 1 cover art skin#
Way of the samurai 1 cover art code#

Not all comic book shops order all items. It is not based off the final shipping lists from Diamond Distributors. A must see film if you like this kind of thing but just don't expect tonnes of action.This list is based on the shipping dates from the distributors order forms. For me the film is made with the stellar casting for the bad guys, they are really quite amusing, Whitaker does well also in his calm near silent role.

Still a unique film though can't dent that.

Way of the samurai 1 cover art code#

End of the day the samurai code doesn't really effect the film much apart from what 'GD' allows to happen.ĭidn't think the film needed the African American influence of rap music though, would of been nice without that, more unique really as the old gangster thing still looms somewhat.

The Japanese filling throughout is a nice touch which is obviously there because of the French film it plays homage to but it neither hinders or helps really, its just nice little touches that are pleasant to view. The film moves slow just like its main player and the outcome is resolved quite quickly really. There isn't too much action here like I said but that isn't a problem really.

Way of the samurai 1 cover art skin#

The man is a character acting legend plus his face is evil looking with those sharp cheek bones and odd stretched wrinkle-less like skin complexion, no wonder he was in 'Dick Tracy'.

Their boss is Henry Silva who is pretty much the perfect face for a bad guy, a mafia bad guy. The cast are familiar too, all the regular faces that normally play wheezing old fat mafioso's. Almost caricatures and exactly how you expect Italian American hoods to look and act with the addition of great names like 'Handsome Frank' and the all too common names of Vinny, Ray and Louie. You could almost think of these guys as a parody really. I loved how they looked and spoke in that typical Nu Joisey/Nu Yawk fashion with their big tinted shades, dated tracksuits or leather coats, absolutely perfect. The bad guys are a classic stereotypical cliched lineup of fat, aging, balding, badly dressed 70's looking rejects that could of come from any well known mafia flick you've ever heard of. Trying not to mention other films too much here but when you see the American mobsters in this it rings so many bells. He works for the mob and kills people, breaks into properties and steals cars pretty regularly, he doesn't kill innocents but nor does he care too much about them or their material possessions. Your not really sure if your suppose to root for this guy either, he's not doing good stuff after all. The film is kinda slow and builds around 'GD' training in the art of samurai whilst living his simple life caring for pigeons. Personally I love this film, its could easily be a sequel to 'Leon' and moves just as sexually and gracefully including some excellent hit scenes, albeit a bit brief. Its pretty fair to say when watching that this is heavily influenced by those said films, from the hit sequences to the little girl who 'Ghost Dog' befriends but doesn't train.although that is hinted at somewhat towards the end. This film is actually based on a very good French film called 'Le Samouraï' which in turn also probably influenced Besson for his New York based hitman classic. Take the overall premise of 'Leon' and virtually copy it scene for scene and you have 'Ghost Dog' but with a nice samurai code twist. His big lumbering appearance and droopy eye always gives him the look of a bad guy or suit type, not some ninja like assassin.īut here we are in dare I say 'Leon' for a black audience? is that wrong of me? cos this sure as hell is what it is. Now Forest Whitaker isn't the kind of guy you would normally think of for a smart ice cool hitman flick.